Little Games is the fourth American album by English rock band the Yardbirds. Recorded and released in 1967, it was their first album recorded after becoming a quartet with Jimmy Page as the sole guitarist and Chris Dreja switching to bass. It was also the only Yardbirds album produced by Mickie Most.

Although the new lineup was becoming more experimental with longer, improvised concert performances, the Yardbirds' record company brought in successful singles producer Most to coax out more commercial product. However, neither material that properly presented their new approach nor hit singles were forthcoming. The release of the title track "Little Games" that preceded the album did not reach the singles chart in the UK and consequently the album was not released there. However, the album saw limited release in the US, Germany, and New Zealand, but only reached number 80 in the US.

Little Games became the Yardbirds' final studio album, although Most continued to produce singles for the group. These were later collected and released with the original album along with outtakes and alternate mixes on an expanded edition titled Little Games Sessions & More in 1992.

Russo describes the four and a half minute instrumental collage "Glimpses" as a "brilliant piece of psychedelic imagery [that] revealed the Yardbirds at their most experimental and inspired". It features multiple-guitar tracks, with effects and bowing, and an electric sitar-backing propelled along by a 6/8 beat and bass riff by McCarty and Dreja. Relf adds several tracks of chanting vocals, reminiscent of the Yardbirds' 1965 song "Still I'm Sad". A barely-understandable truncated mechanical-sounding voice recites:

Glimpses of clouds in a forest
Can review well within us
And never to linger on one is life
Energy radiates from the source
The life around us is but a reflection of our own
Flowing within never-ending boundless infinity
Time is just a cumular limit
Which with one glimpse can overcome
Can overcome

As with "Little Games" and unlike their previous hits, the Yardbirds' subsequent singles were written by others: Tony Hazzard composed "Ha Ha Said the Clown" (a pop hit for Manfred Mann) and the similarly pop-ish "Good Night Sweet Josephine" and Harry Nilsson supplied "Ten Little Indians", written in the style of a nursery rhyme.

Blind Faith were an English supergroup that consisted of Steve Winwood, Eric Clapton, Ginger Baker, and Ric Grech. They followed the success of each of the member's former bands, including Clapton and Baker's former group Cream and Winwood's former group Traffic, but they split after a few months, producing only one album and a three-month summer tour.
The group originated with informal jamming by Clapton and Winwood in early 1969 following the break-ups of Cream and Traffic. Baker joined them in rehearsals and they decided to form a group. Grech joined as the fourth member from the band Family in May, and they began recording their eponymous debut album. It drew controversy for featuring a photograph of a topless 11-year-old girl on the front cover, and it was issued with a different cover in the United States.

The first Blind Faith concert was on 7 June in front of an estimated 100,000 fans in Hyde Park, London, but they felt that they had not rehearsed enough and were unprepared. They subsequently played concerts in Scandinavia and the US, but the lack of material in the live set led them to play old Cream and Traffic songs which pleased the audience but disillusioned the band. Clapton became increasingly isolated during the tour, preferring to spend time with support act Delaney & Bonnie, and Blind Faith disbanded immediately after their last performance. Clapton and Winwood both enjoyed the music that they played together in the group's limited time, and they have since collaborated on several tours playing Blind Faith material.
The cover was a photo by Bob Seidemann of a topless 11-year-old girl, Mariora Goschen, holding a silver-painted model of an aircraft, sculpted for the album shoot by Mick Milligan. The cover was mildly controversial in the British press, with some seeing the model airplane as phallic. The American record company issued the album with an alternative cover, with a photograph of the band on the front, as well as the original cover.
Tracks
1. Had to Cry Today 00:00
2. Can't Find My Way Home 08:48
3. Well All Right 12:04
4. Presence of the Lord 16:31
5. Sea of Joy 21:22
6. Do What You Like 26:44

c/o Danny Polishchuk

2011 Tour Visuals

1991: The Year Punk Broke, released theatrically in 1992, is a documentary directed by Dave Markey, featuring American alternative rock band Sonic Youth on tour in Europe in 1991. While Sonic Youth is the focus of the documentary, the film also gives attention to Nirvana, Dinosaur Jr., Babes in Toyland, Gumball and The Ramones. Also featured in the film are Mark Arm, Dan Peters and Matt Lukin of Mudhoney, and roadie Joe Cole, who was murdered in a robbery three months after the tour ended. The film is dedicated to Cole.

Several scenes in the film involve re-enactments and references to scenes from the Madonna tour documentary, Truth or Dare, such as Gordon complaining about "industry people" in the front row, or Cobain, introduced as "Costner" telling Sonic Youth that their show was "neat". At a screening of the film at the 2008 All Tomorrow's Parties festival in Monticello, New York, Markey mentioned that the working title for the film was Tooth or Hair, as a further play on this connection. A home video VHS was released by the David Geffen Company on April 13, 1993.[1] The film was again re-released on DVD on September 13, 2011, by the Universal Music Group.

Studio Album, released in 1981
Songs / Tracks Listing

1. N1 (20:43)
2. N2 (20:57)

Total Time 41:40

Line-up / Musicians
-Conrad Schnitzler/All sounds & instruments

'An album to listen to alone in your "trip room," after your friends have left and you're starting to feel paranoid.'-- Phallus_Dei 3.5 / 5 stars

Fire and Water is the third studio album by English rock band Free, released in 1970. It became the band's breakthrough album, achieving widespread commercial success as the band's first two studio albums were not successful. With the "tremendous" acclaim of Fire and Water at their backs, in the words of AllMusic, Free headlined the 1970 Isle of Wight Festival with an estimated audience of 600,000 to 700,000 attendees and "appeared destined for superstardom".

Beat Club 1971

Roadhawks is a 1976 compilation album by Hawkwind covering the years 1970-1975, and it peaked at #45 on the UK album charts. It is the first compilation release from the group, marking the end of the group's tenure with United Artists Records. The music was compiled and mixed by the group's Dave Brock.
The tracks are mostly presented in chronological order. The singles "Silver Machine" and "Urban Guerrilla" were included on an album for the first time, "Urban Guerilla" having been scarcely available due to its withdrawal after three weeks of release. A previously unreleased live version of "You Shouldn't Do That" segued with an unlisted "Seeing It As You Really Are" is included, recorded from the same live shows where Space Ritual was derived, and is now included as a bonus track on CD re-issues of the Space Ritual album.
Tracks
1. "Hurry on Sundown" (Dave Brock, Hawkwind) - from Hawkwind (1970)
2. "Paranoia" [edit] (Brock, Hawkwind) - from Hawkwind (1970)
3. "You Shouldn't Do That" (Nik Turner, Brock) - live version previously unreleased, included on Space Ritual (CD re-issue) (1972)
4. "Silver Machine" (Robert Calvert, Brock) - single previously unreleased on LP, included on In Search of Space (CD re-issue) (1972)
5. "Urban Guerilla" (Calvert, Brock) - single previously unreleased on LP, included on Doremi Fasol Latido (CD re-issue) (1973)
6. "Space Is Deep" (Brock) - from Doremi Fasol Latido (1972)
7. "Wind of Change" (Brock) - from Hall of the Mountain Grill (1974)
8. "The Golden Void" (Brock) - from Warrior on the Edge of Time (1975)

Abandoned Films

Thanks to the Memers, you know who you are.

Who's to blame?

c/o AreSoundsElectric?
Uploader's note: '45 years later and it still sounds otherworldly.'

Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music". The work is written for an ensemble of two violins, viola, cello and double bass, but is often performed by string orchestras. The serenade is one of Mozart's most famous works.

AIC 23 is the story of Alan Poole McLard, a Film Studies Professor at a community college, who is trying to make a documentary film about ALICE IN CHAINS to coincide with the release of their new album, The Devil Put Dinosaurs Here. Without the cooperation of the members of Alice in Chains, Alan does his best to interview other musicians that may, or may not, have influenced AIC throughout the years. The film includes cameos from Lars and Robert from Metallica, Unta Gleeben Glabben Globben from Necrobotica, Ann and Nancy Wilson from Heart, Donnie "Skeeter" Dollarhide Jr. from the Singing Dollarhides, Mike McCready from Pearl Jam, Nesta...

Kilburn 1977

Draw the Line is the fifth studio album by American hard rock band Aerosmith, released on December 9, 1977. It was recorded between June–October in an abandoned convent near New York City. The portrait of the band on the album cover was drawn by the celebrity caricaturist Al Hirschfeld.
Tracks
1. Draw the Line 00:00
2. I Wanna Know Why 03:24
3. Critical Mass 06:33
4. Get It Up 11:25
5. Bright Light Fright 15:28
6. Kings and Queens 17:48
7. The Hand That Feeds 22:43
8. Sight for Sore Eyes 27:06
9. Milk Cow Blues 31:02

Acoustic Version 1992

c/o AbandonedFilms

"The Unknown Soldier" is the first single from the Doors' 1968 album Waiting for the Sun, released in March of that year by Elektra Records. An accompanying 16mm publicity film for the song featuring the band was directed and produced by Edward Dephoure and Mark Abramson.

Panorama is the third studio album by American new wave band the Cars, released on August 15, 1980, by Elektra Records. Like its predecessors, it was produced by Roy Thomas Baker and released on Elektra Records.
1. Panorama 00:00
2. Touch and Go 05:45
3. Gimme Some Slack 10:41
4. Don't Tell Me No 14:15
5. Getting Through 18:18
6. Misfit Kid 20:56
7. Down Boys 25:28
8. You Wear Those Eyes 28:35
9. Running to You 33:33
10. Up and Down 36:55
11. Shooting For You 40:32
12. Be My Baby 44:36
13. The Edge 49:36
14. Don't Go to Pieces 53:02

"Good Lovin' Gone Bad" is a song by the rock band Bad Company. Released in 1975, it reached the Top 40 in both the United States and the UK. The song was written by the band's guitarist Mick Ralphs and appears on their second album, Straight Shooter.

Now available outside of Japan.

The Butterfly Ball (1974)