Invasion of the Saucer Men (U.K. title: Invasion of the Hell Creatures; working title: Spacemen Saturday Night), is a 1957 black-and-white comic science fiction/comedy horror film produced by James H. Nicholson for release by American International Pictures. The film was directed by Edward L. Cahn and stars Stephen Terrell, Gloria Castillo, Raymond Hatton and Frank Gorshin.
The screenplay by Robert J. Gurney Jr. and Al Martin was based on the 1955 short story "The Cosmic Frame" by Paul W. Fairman. Invasion of the Saucer Men was released as a double feature with I Was a Teenage Werewolf.
A flying saucer lands in the woods. A teenage couple, Johnny Carter and Joan Hayden, while driving to their local lover's lane without the headlights on, accidentally run down one of the saucer's large-headed occupants.
Joe Gruen, a drunken con man, stumbles across the alien's corpse after the teenagers have left to report the incident. Imagining future riches and fame, he plans to keep the body stored for now in his refrigerator. After failing to convince his friend Art Burns to help him retrieve the alien body, Joe decides to return to the scene. Other aliens soon arrive, however, and quickly inject alcohol into his veins via their retractable needle fingernails. Joe, who was already intoxicated, dies from alcohol poisoning. The aliens remove their dead companion from the scene, and replace it with Joe's corpse.
Having reported the accident and the deceased alien to the police, Johnny and Joan return with the sheriff, only to find Joe's dead body at the scene of the accident instead of the alien's. The police then decide to charge Johnny with vehicular manslaughter. (The aliens have in a sense "framed" Johnny, hence the title of the short story the film was based on).
Meanwhile, the dead alien's hand has detached itself from its arm and runs amok in the woods, causing trouble. The military, following up an earlier UFO report, soon get involved, eventually surrounding the alien's saucer and accidentally blowing it to smithereens.
Art goes to the accident scene with the teenagers, where he also gets injected numerous times with alcohol by the aliens, but he doesn't die because he wasn't already intoxicated at the time. In the end, it is the teenagers, not the military, who defeat the aliens when they discover that the saucer's occupants cannot stand the glare from their car's bright headlights. When the teenagers all flash their headlights on them at once, the three remaining aliens disappear in a puff of smoke.A flying saucer lands in the woods. A teenage couple, Johnny Carter and Joan Hayden, while driving to their local lover's lane without the headlights on, accidentally run down one of the saucer's large-headed occupants.
Joe Gruen, a drunken con man, stumbles across the alien's corpse after the teenagers have left to report the incident. Imagining future riches and fame, he plans to keep the body stored for now in his refrigerator. etc....

The Thing that Couldn't Die is a 1958 American horror film produced and directed by Will Cowan and starring William Reynolds, Andra Martin, Jeffrey Stone, and Carolyn Kearney. Based on an original screenplay by David Duncan for Universal Pictures, it was released in the United States on a double bill in May 1958 with the British Hammer Films classic Horror of Dracula.
Jessica Burns (Carolyn Kearney), a young woman who claims to have psychic powers, lives on a California dude ranch with her Aunt Flavia (Peggy Converse). When Jessica is called upon to dowse in search of a groundwater spring, she instead discovers a buried box dating from the 16th century. Against Jessica's warnings, Flavia takes the box back to her house. Flavia, consumed with thoughts of buried treasure, wants to open the box immediately. But Gordon Hawthorne (William Reynolds), a guest at the ranch who has shown interest in Jessica, argues the box should be kept intact for appraisal. That night, he leaves the ranch to bring an archaeologist friend to inspect the box.
However, Flavia’s greedy ranch foreman, Boyd, also anticipating treasure, secretly convinces slow-witted handyman Mike to break the cask open. Instead of gold or gemstones, the box contains the intact head of Gideon Drew (Robin Hughes), a man executed for sorcery 400 years earlier. The head awakens and telepathically controls Mike.
Drew’s head commands Mike to murder Boyd, then has the handyman conceal it while arranging to have a coffin retrieved containing Drew’s body. The head takes control of Linda (Andra Martin), another ranch guest. She places the head in a hat box inside a guest room closet. Flavia and Jessica discover Boyd’s body and call the police.
Gordon and his historian acquaintance, Julian Ash, arrive back at the ranch. Mike, still apparently under Drew’s control, approaches the police officers in a threatening manner holding the knife that killed Boyd. The officers shoot him dead.
Once his head and body are joined, Drew will be fully able to exercise his powers, though his plan isn’t entirely clear. Jessica senses the evil and is protected from the head's influence by a fleur-de-lis amulet she wears around her neck. But when Gordon removes the amulet so its historical value could be appraised, Drew’s head assumes control of her mind.
Reading text engraved on the box’s corroded metal surface, Julian and Gordon discover the existence of a coffin also buried on the property that contains Drew’s body. Under Drew’s control, Jessica and Linda retrieve the head, while Gordon, Julian and ranch guest Hank dig up the casket.
The coffin is opened inside the house, and Jessica reunites the head to its body. Gideon arises from his coffin and threatens to feast on the blood of the ranch’s modern residents. Gordon, somehow aware of the amulet’s power, catches the monster off guard and thrusts the necklace toward Drew. This forces Drew back into the coffin and, when the fleur-de-lis is tossed in with his body, etc.

Escapement (aka The Electronic Monster ) is a 1958 British horror science fiction film directed by Montgomery Tully and David Paltenghi (dream sequences) .
Inquiring into the mysterious death of a Hollywood star, insurance investigator Jeff Keenan uncovers an exclusive psychiatric clinic on the French Riviera. Here, patients who want to escape the stresses of life are hypnotized, then laid out in morgue-like drawers and left to dream for several weeks. It turns out that Dr. Zakon, the clinic's ex-Nazi owner, is using a "dream machine" to alter the sleepers' dreams, and to impose his will on theirs.

Battle Taxi is a 1955 American aviation drama film directed by Herbert L. Strock and written by Malvin Wald. The film stars Sterling Hayden, Arthur Franz, Marshall Thompson, Leo Needham and Jay Barney. The film was released on January 26, 1955 by United Artists.
In the Korean War, Capt. Russ Edwards (Sterling Hayden), the commander of an Air Rescue helicopter team, must show Lt. Pete Stacy (Arthur Franz), a hot-shot former jet pilot how important helicopter rescue work is and turn him into a team player.
Lt. Col. Stoneham (Jay Barney), the overall commander of the unit, is worried that the rescue missions are being jeopardized by the number of helicopters out of service, and leans on Edwards to make his men aware that taking unnecessary risks is hurting their operational readiness. Despite the cautions, on the very next mission, Stacy and his copilot, 2nd Lt. Tim Vernon (Marshall Thompson) and Medic (Michael Colgan) put themselves and a rescued soldier in danger. When the soldier tells them that his patrol is trapped by an enemy tank, Stacy does not wait for the jets on station to come in, but attacks the tank with only his flares, resulting in his helicopter being shot up and put out of commission.
Edwards tries to reinforce the message that the helicopter rescue is important and stations Stacy and his crew at the farthest base, near the enemy lines. Although Stacy accomplishes a risky rescue of a downed airman, his effort to bring back an airman unconscious in the sea, risks not only his life but all the men aboard his helicopter when he runs out of fuel. Stacy successfully pulls it off by refuelling from a damaged North Korean fuel truck but the fuel contaminates the engine and puts his helicopter out of commission.
The repaired helicopter is tested by Stacy and his crew but their test flight is interrupted by an emergency call where Stacy has to face not only the enemy but also rely on a helicopter rescue after he is seriously wounded and his helicopter is downed with the loss of the jet pilot that was just picked up. Edwards arrives to rescue everyone but calls in a jet fighter patrol to mop up an enemy force. When Stacy recovers, he is now convinced that his job is an essential one and that being part of a team is important.

I Was a Teenage Werewolf is a 1957 American science fiction horror film directed by Gene Fowler Jr., and starring Michael Landon as a troubled teenager, Yvonne Lime and Whit Bissell. Co-written and produced by cult film producer Herman Cohen, it was one of the most successful films released by American International Pictures.
The film was originally released as a double feature with Invasion of the Saucer Men. The release included the tagline, "We DARE You To See The Most Amazing Motion Pictures Of Our Time!"
Tony Rivers, a troubled teenager at Rockdale High, has a short and explosive temper which gets him into numerous fights. Local police Detective Donovan advises Tony to talk with a psychologist that works at the local aircraft plant, Dr. Alfred Brandon, a practitioner of hypnotherapy. Tony declines, but his girlfriend Arlene, as well as his widowed father Charles, show concern about his violent behavior. At a Halloween party at the "haunted house", an old house at which teenagers hang out, Tony attacks his friend Vic after being surprised from behind. After seeing the shocked expressions on his friends' faces, he realizes he needs help and goes to see Dr. Brandon.
Brandon concludes Tony's troubled history makes him an excellent subject for his experiments with a scopolamine serum he has developed that regresses personalities to their primitive instincts. Brandon believes that the only future that mankind has is to "hurl him back to his primitive state." Although Brandon's assistant, Dr. Hugo Wagner, protests that the experiment might kill Tony, Brandon injects Tony with the serum, telling Tony it is a sedative to prepare him for hypnosis. During a series of hypnosis sessions, Brandon draws out Tony's traumatic childhood memories and suggests to Tony that he was once a wild animal.
After a small party at the haunted house, Tony drives Arlene home. One of their buddies, Frank, is attacked and killed as he is walking home through the woods. Donovan and Police Chief Baker review photographs of the victim and notice the fatal wounds look like fang marks, but there are no wild animals in the area. Pepi, the police station's janitor, persuades officer Chris Stanley to let him see the photos. Pepi, a native of the Carpathian Mountains, where werewolves, "human beings possessed by wolves", are common, recognizes the marks on Frank's body. Chris, however, dismisses the idea of a werewolf.
After another session with Brandon, during which Tony tells the doctor that he feels that there is something very wrong with him, Tony reports to Miss Ferguson, the principal of Rockdale High. Miss Ferguson tells Tony that Brandon has given him a positive report regarding his behavior, and that she intends to recommend Tony for entry into State College. As Tony leaves the school, he passes the gymnasium where a woman, Theresa is practicing by herself. A school bell behind his head rings, triggering his transformation into a werewolf, and he attacks and kills etc..

I Was a Teenage Frankenstein (U.K. title: Teenage Frankenstein) is a horror film starring Whit Bissell, Phyllis Coates and Gary Conway, released by American International Pictures (AIP) in November 1957 as a double feature with Blood of Dracula. It is the follow-up to AIP's box office hit I Was a Teenage Werewolf, released less than five months earlier. Both films later received a sequel in the crossover How to Make a Monster, released in July 1958. The film stars Whit Bissell, Phyllis Coates, Robert Burton, Gary Conway and George Lynn.
Professor Frankenstein, a guest lecturer from England, talks Dr. Karlton into becoming an unwilling accomplice in his secret plan to actually assemble a human being from the parts of different cadavers. After recovering a body from a catastrophic automobile wreck, Professor Frankenstein takes the body to his laboratory/morgue, where he keeps spare parts of human beings in various drawers. The professor also enlists the aid of Margaret, as his secretary, to keep all callers away from the laboratory.
Margaret, becoming suspicious of what is going on, decides to investigate and goes down to the morgue. She is panic-stricken by the monster, who has been activated following the grafting of a new leg and arm. She dares not tell the professor about her discovery and keeps silent for the present.
One night, the monster leaves the laboratory. He peers into a girl's apartment. The girl becomes hysterical and starts screaming; in his attempt to silence her, he kills her in panic and flees. The next morning, the hunt for the murderer is on. Margaret, angry at the professor, tells him that she knows that the monster is responsible for the murder. The professor, taking no chances, has the monster kill her and feeds her remains to his pet alligator. Dr. Karlton, sent out of town, knows nothing about this.
The professor accompanies the monster to a lover's lane, where he kills a teenage boy in order to obtain his face. The boy's face is successfully grafted onto the monster. Professor Frankenstein tells Dr. Karlton of his plans to dismember his creation and ship him in various boxes to England and then return there to put him together again. When they strap the monster down again, he becomes suspicious and tears loose. He throws Professor Frankenstein into the alligator pit while Dr. Karlton runs for help.
When Dr. Karlton arrives with the police, the monster, maddened with fright, backs into the electrical dial board. Contact with his iron wrist bands electrocutes him and he falls to the ground, dead. Karlton tells the police that he will never forget the way the monster's face looked after the accident.

How to Make a Monster is a 1958 American horror film drama that is notable for its inclusion of props and studios that created actual sci-fi horror movies.
It was produced and written by Herman Cohen, directed by Herbert L. Strock, and starring Gary Conway, Robert H. Harris, Paul Brinegar, Morris Ankrum, Robert Shayne, and John Ashley. The film was released by American International Pictures as a double feature with Teenage Caveman.
The film is a follow-up to both I Was a Teenage Werewolf and I Was a Teenage Frankenstein. Like Teenage Frankenstein, a black-and-white film that switches to color in its final moments, How to Make a Monster was filmed in black-and-white and only the last reel (the fire scene finale) is in full color.
Pete Dumond, chief make-up artist for 25 years at American International Studios, will be fired after the studio is purchased by NBN Associates. The new management from the East, Jeffrey Clayton and John Nixon, plan to make musicals and comedies instead of the horror pictures for which Pete has created his remarkable monster make-ups and made the studio famous. (The new owners show Pete one of their new rock musical numbers on stage which features real-life singing superstar John Ashley.) In retaliation, Pete vows to use the very monsters these men have rejected to destroy them in revenge.
By mixing a numbing ingredient into his foundation cream and persuading the young actors that their careers are through unless they place themselves in his power, he hypnotizes both the unsuspecting Larry Drake and Tony Mantell (who are playing the characters the Teenage Werewolf and the Teenage Frankenstein, respectively, in the picture Werewolf Meets Frankenstein, currently shooting on the lot).
Through hypnosis, Pete urges Larry, in Teenage werewolf make-up, to kill Nixon in the studio projection room. Later, he orders the unknowing Tony, in Teenage Frankenstein make-up, to attack Clayton and choke him to death after he arrives home at night in his 1958 Lincoln convertible. Next day, studio guard Monahan, an amateur detective, stops in at the make-up room. He shows Pete and Rivero, Pete's make-up assistant, his little black book in which he has jotted down many interesting facts, such as the late time (9:12PM) Pete and Rivero checked out the night of Jeffrey Clayton's murder. He explains he hopes to work his way up to chief of security on the lot. Apprehensive, Pete makes himself up as a terrifying split-faced Caveman, one of his own creations and kills Monahan in the studio commissary while Monahan makes his rounds that night.
Richards, the older guard, sees and hears nothing of the struggle, but discovers the missing Monahan's body. Police investigators uncover two clues: a maid, Millie, describes Frankenstein's monster (Tony, in make-up), who struck her down as he fled from the scene of Clayton's murder, and the police laboratory technician discovers a peculiar ingredient in the make-up left on Clayton's fingernails from etc.

The Haunted Strangler (also known as Grip of the Strangler and originally titled The Judas Hole) is a 1958 British horror film directed by Robert Day and starring Boris Karloff, Jean Kent, Elizabeth Allan, and Anthony Dawson.
It was adapted from "Stranglehold", a story which screenwriter Jan Read had written specially for Boris Karloff, and was shot back to back with producer Richard Gordon's Fiend Without a Face (1958), with both later being released as a double feature by MGM.
In 1860, Edward Styles is accused of being the notorious Haymarket Strangler, who brutally killed five women by partially strangling them with one hand before stabbing them to death. Styles, who lacks the use of one arm, is tried and executed for these crimes. As his coffin is nailed shut, an unknown onlooker slips a knife into it.
Twenty years later, James Rankin, a novelist and social reformer, launches a private investigation to prove that Styles was innocent and would not have been convicted if adequate legal representation had been provided for him at trial. Police official Burk permits Rankin to examine the case evidence. Of note, the Strangler murdered his fifth victim, a dancer named Martha Stuart, at the sleazy Judas Hole music hall, where singer Cora Seth and other witnesses noticed his disabled left arm as he fled the scene; the Strangler's knife was never recovered; and a doctor named Tennant conducted the autopsies on all five Strangler victims as well as Styles, and then fell ill during Styles' burial.
Tennant becomes the focus of Rankin's inquiry. At the hospital where Tennant was brought, Rankin learns the doctor had been diagnosed with a severe nervous breakdown and was going to be institutionalized, but he and his nurse both vanished without a trace. Rankin takes possession of Tennant's abandoned personal effects, which include a journal containing unusually detailed descriptions of the Strangler's victims and a surgeon's kit with a missing knife. At the Judas Hole, Rankin gleans from Cora that she never saw the Strangler's face, and that Tennant was a regular patron who made unwanted advances towards Martha Stuart. Rankin deduces that Tennant was the real Haymarket Strangler, and suspects that his breakdown was precipitated by him disposing of his knife, the symbol of his homicidal compulsion, in Styles' coffin in a lucid moment when he was overwhelmed by guilt.
Rankin next goes to the Newgate Prison cemetery and surreptitiously exhumes Styles' body. Finding the knife amid the bones, he takes hold of it and undergoes a transformation that contorts his face, paralyzes his left arm, and alters his personality. Rankin returns to the Judas Hole and kills Cora's protege, and as he departs, Cora recognizes him as the Haymarket Strangler. Alternating between himself and the Strangler persona, Rankin murders other women before finally coming to realize that he was Tennant all along. His wife Barbara confirms this, revealing that she was his nurse etc....

Night of the Ghouls is a horror film written and directed by Ed Wood. The film was shot between April and May 1958. The film features some reoccurring cast members and characters from Wood's 1955 Bride of the Monster, including Tor Johnson reprising his role of Lobo and Paul Marco again playing the character of Kelton the cop, while the Amazing Criswell plays himself in the frame story of the film. Another returning character is Police Captain Robbins of Homicide, although the character was played by Harvey B. Dunn in Bride, and by Johnny Carpenter in Night.
At the beginning, Criswell rises from a coffin and narrates the events of the film. Then a montage starts showing juvenile delinquency, street fighting, and driving under the influence. The sequence ends with the bloody corpse of the drunk driver staring blankly at the camera. According to Criswell's narration, this is a rather typical end to "a drunken holiday weekend".
The film then cuts to a teenaged couple kissing in a convertible. When the boy gets too aggressive, the girl slaps him and exits the car. The Black Ghost, an undead creature that lurks in the woods near them, later kills the young couple. The murders receive press attention but are thought to be the work of a maniac.
In a police station of East Los Angeles, California, Inspector Robbins waits for Detective Bradford at his office. Bradford soon arrives, dressed in a formal evening wear. He was called to work while on his way to the opera, and he protests the idea of working an unexpected assignment. But Robbins informs him that the case involves the "old house on Willows lake", which played a part in an earlier case investigated by Bradford. The house was destroyed by lightning, but someone rebuilt it. A flashback scene establishes that the elderly Edwards couple had a terrifying encounter with the White Ghost by this house. Having heard the story, Bradford accepts the assignment to investigate the old house. Robbins assigns Kelton to escort the Detective. Kelton has previously dealt with the supernatural in the events depicted in Bride of the Monster and Plan 9 from Outer Space.
Bradford drives to the house and enters through an open door, to be confronted by Dr. Acula, who is dressed in a turban and cryptically mentions that there are many already in the house, both living and dead. Bradford convinces Acula that he is just another prospective client, so his entrance is accepted. One of "the many" in the house is a remnant of its past, Lobo. A character from Bride, Lobo is depicted as disfigured from the flames which once destroyed this house. Outside the house, Kelton arrives late and has brief encounters with both the Black and the White Ghost. Meanwhile, at a séance, Acula and his clients share the table with human skeletons. Dr. Acula turns out to be a fake psychic by the name of "Karl", as Bradford suspected earlier, and reveals that the White Ghost is an actress named Sheila. etc...

Terror of the Bloodhunters is a 1962 independently made American black-and-white low budget jungle survival horror film, produced, directed, written, and edited by Jerry Warren, that stars Robert Clarke, Dorothy Haney, and Steve Conte.
The film was released in the U.S. May 3, 1962 as a double feature with Warren's Invasion of the Animal People.
The daughter (Dorothy Haney) of the Devil's Island commandant takes off with two escaped French prisoners (Robert Clarke and Steve Conte) through the treacherous jungles of French Guiana. They must survive not only dangerous wild animals and disease, but the prison guards who are searching for them, as well as a ferocious South American tribe of headhunters.

The Snorkel is a 1958 British thriller film directed by Guy Green and stars Peter van Eyck, Betta St. John and Mandy Miller. It was a Hammer Films production, and the last film role for Miller.
Paul Decker kills his wife, Madge, by drugging her and then gassing her in a room in their Italian villa, sealing all the windows and doors but concealing himself under floorboards in the room, covered by a rug and using a snorkel attached to air pipes to breathe while hidden. Household servants discover her body in the morning and as the room has been locked and sealed from the inside, it appears to the local Italian police Inspector and British Consulate Mr. Wilson to be a case of suicide, although no suicide note has been found.
Madge's teenage daughter Candy arrives from England with her dog Toto and travelling companion Jean Edwards, and immediately accuses her stepfather, Decker, of killing her mother, based on the fact that she believes – correctly – that he also killed her father years before and made it look like an accident. Toto senses Decker's presence under the floorboards but is not taken any notice of. It is suggested that Candy and Jean go to America where Decker will join them later, but Candy is determined to investigate further; she goes to Decker's room to look for evidence, but it is Toto that finds the snorkel but again Candy does not recognise its importance and puts it back in a wardrobe. When Decker finds Candy in the room she leaves shortly afterwards, but Toto again finds the snorkel and Decker realises that the dog is proving a problem and poisons him; Candy again senses the truth and accuses Decker of killing her dog, which he denies.
Decker, Jean and Candy go on a beach picnic, and Candy, seeing a man swimming with a snorkel, starts to realise how her mother's murder was carried out; when she then swims out too far, Decker swims out to her, pretending to save her but in reality hoping to drown her and make it look like an accident, but before he can do so Jean also swims out and he gives up on the idea, although again Candy knows what he was trying to do.
Decker decides that he will have to kill Candy, and, establishing an alibi as before, lures her to the villa by telling her that he has found his wife's suicide note and has asked the police Inspector to come over as well. He 'reads' Madge's suicide note to Candy and encourages her to drink a drugged glass of milk; by the time she realises that he has made up the story she is too drowsy and Decker continues to carry out his plan, hiding under the floorboards and the rug as before. This time however Wilson and Jean arrive in time and rescue Candy, although they refuse to believe her story that Decker was trying to kill her, believing her to be unbalanced following her mother's death. She insists that they search the room thoroughly, including moving a heavy cabinet out from the wall, but finally agrees to leave with them. As they leave Decker attempts to come out from etc..

Buck Privates Come Home is a 1947 American comedy film directed by Charles Barton and starring the team of Abbott and Costello. It was released by Universal-International and is a sequel to their earlier film Buck Privates (1941).
This film marks the final role of veteran actor Nat Pendleton and the film debut of Russ Conway (in the role of an unnamed medic).
After serving in Europe during World War II, Herbie Brown and Slicker Smith return to the United States aboard a troop ship. Also on board is their old nemesis, Sgt. Collins. As the ship nears New York, Collins and his superiors search the men's belongings for contraband. Herbie accidentally activates a time bomb, made to look like a camera, that he picked up as a souvenir and has to throw it out the porthole.
A six-year-old French orphan, Evey, whom Herbie and Slicker befriended, is found in Herbie's duffle bag. She is handed over to Lt. Sylvia Hunter, who delivers her to immigration officials in New York. However, during a shift change at the office, Evey is mistaken for a neighborhood kid and set free. Meanwhile, Herbie and Slicker are back to their pre-war occupation of peddling ties in Times Square. Collins is also back at his old job—a police officer assigned to the same beat. He is about to arrest the boys when Evey shows up and helps them escape.
Herbie and Slicker attempt to adopt Evey, but are told that one of them must be married and have a steady income. Evey suggests that Herbie marry Sylvia. They show up at her apartment, but learn that Sylvia already has a boyfriend, Bill Gregory.
At one point, Herbie and Slicker purchase what seems to be an ideal home for $750, but the seller doesn't want to let them see the interior prior to purchase. Before Herbie can get the front door open, the seller gives a signal and a truck hauls off the façade, revealing that the boys had just purchased a broken-down old bus. The two have to fix it up to use as a home.
Bill is a midget car racer. He is sure he will win the $20,000 prize at the Gold Cup Stakes, but his car is being held at a local garage until past-due bills are paid. Herbie and Slicker use their separation pay and loans from their old service pals to get the car out of hock. Collins, however, has other plans. He had been demoted repeatedly to ever less desirable beats thanks to the boys' escaping from him. He stakes out the garage in hopes of catching them and returning Evey to the immigration authorities to get himself back in good favor with his boss. He eventually chases them to the track, where Herbie gets in Bill's race car and leads everyone on a wild chase through the streets of New York.
Herbie is eventually caught, but not before the head of an automobile company is impressed enough to order 20 of Bill's cars and 200 engines. With his financial future secure, Bill can now marry Sylvia and adopt Evey. Slicker and Herbie will be allowed to visit Evey if they get jobs. Collins' captain suggests that they join the police etc.

Invasion of the Animal People (Rymdinvasion i Lappland in Sweden and Terror in the Midnight Sun internationally) is a 1959 Swedish-American black-and-white science fiction-monster film released to Swedish cinemas on August 19, 1959. The film was produced by Bertil Jernberg and Gustaf Unger, directed by American Virgil W. Vogel and stars Barbara Wilson, Robert Burton, and Stan Gester. Written by Arthur C. Pierce, the film had most of its dialogue in English.
Space Invasion of Lapland was heavily re-edited by American producer Jerry Warren and had newly filmed American sequences added. The film had its U.S. release in 1962 under the title Invasion of the Animal People as a double feature with Warren's Terror of the Bloodhunters.
While traveling in Sweden, Olympic skater Diane Wilson meets up with her uncle, famous geologist Dr. Vance Wilson (Robert Burton), who has come there to help investigate the recent landing of what appears to be a large meteorite. Diane is courted by her uncle's associate, Dr. Erik Engstrom (Sten Gester), though she aggressively plays hard-to-get while they are skiing, at one point grabbing his skis and leaving him to walk back all the way to the hotel. A romance slowly begins, and eventually they are interrupted by the news of a large herd of mutilated reindeer in Lapland. Both scientists immediately fly there, far north in the Arctic mountains of Lapland, near the site of the meteorite crash. To the irritation of both scientists, they discover Diane has stowed away aboard their aircraft. When they arrive, the meteorite is actually determined to be a round alien spaceship, and she suddenly realizes just how dangerous a decision she has made.
An enormously tall, hairy biped creature, with powerful jaws, tusks, and large round feet, under the control of three humanoid aliens in the spaceship, comes out of nowhere and begins menacing the scientists and the native Laplanders. The tall beast destroys the scientists' aircraft, killing the soldier guarding it, and begins tearing apart Laplander houses with its bare hands. As Dr. Engstrom and Diane are trying to ski away to safety, the hairy monster attacks again and is able to capture Diane. She screams and faints.
Meanwhile, a search party has been formed, now carrying torches as night begins to fall. They hear Diane's screams and go toward the sound. Dr. Engstrom arrives and watches as the hairy monster carries her off. He hurries toward the torch-carrying Laplanders and tries to alert Dr. Wilson, who is with them, that the creature now has Diane. Carrying her to the snow-buried alien spaceship, the extraterrestrial monster suddenly begins displaying tenderness toward his captive, a result of mind control exerted over the creature by the humanoid aliens. She runs into an adjoining ice cave and screams and faints again when the aliens come near. The aliens leave the cave and see the mass of lighted torches coming their way. The hairy monster picks up Diane and heads away etc..

The Tingler is a 1959 American horror film produced and directed by William Castle. It is the third of five collaborations between Castle and writer Robb White, and starring Vincent Price.
The film tells the story of a scientist who discovers a parasite in human beings, called a "tingler", which feeds on fear. The creature earned its name by making the spine of its host "tingle" when the host is frightened. In line with other Castle horror films, including Macabre (1958) and House on Haunted Hill (1959), Castle used gimmicks to sell the film. The Tingler remains most well known for a gimmick called "Percepto!", a vibrating device, in some of the theater chairs, which the onscreen action activated.
Released in the United States on July 19, 1959, The Tingler received mixed reviews, but has since gone through some critical reevaluation and is now considered a camp cult film.
A sequel novel, The Tingler Unleashed (ISBN 979-8988682349),[5] written by Gary J. Rose, was published in August 2023 as "a contemporary reimagining that pays homage to the 1959 cinematic masterpiece by William Castle", taking place and continuing the events of the original film fifty years later; an unabridged audiobook recording of the novel was released on October 16, 2023.
A pathologist, Dr. Warren Chapin, discovers that the tingling of the spine in states of extreme fear is due to the growth of a creature that every human being seems to have, called a "tingler," a parasite attached to the human spine. It curls up, feeds, and grows stronger when its host is afraid, effectively crushing the person's spine if curled up long enough. The host can weaken the creature and stop its curling by screaming.
Movie theater owner Oliver Higgins, who shows exclusively silent films, is an acquaintance of Dr. Chapin. Higgins' wife, Martha, is deaf and mute and therefore cannot scream. She dies of fright after weird, apparently supernatural events appear in her room. During her autopsy, Chapin removes a tingler from her spine.
After they contain the tingler and return to Higgins' house, it is revealed that Higgins is the murderer; he frightened his wife to death, knowing that she could not scream because she was mute. The centipede-like creature eventually breaks free from the container that held it and is released into Higgins' theater. The tingler latches onto a woman's leg, and she screams until it releases its grip. Chapin controls the situation by shutting off the lights and telling everyone in the theater to scream. When the tingler has left the showing room, they resume the movie and go to the projection room, where they find the tingler and capture it.
Guessing that the only way to neutralize the tingler is to reinsert it inside Martha's body, Chapin does so. After he leaves, Higgins, who has admitted his guilt to Chapin, is alone in the room. As if by supernatural forces, the door slams shut and locks itself, and the window closes, echoing what happened just before Martha etc..

The Four Skulls of Jonathan Drake is a 1959 American black-and-white horror film written by Orville H. Hampton and directed by Edward L. Cahn. It was one of a series of films they made in the late 1950s for producer Robert E. Kent on contract for distribution by United Artists. The film stars Eduard Franz, Valerie French, Grant Richards, and Henry Daniell. Set in the present day (i.e. 1959), it tells the story of a curse placed on the Drake Family by the witch doctor of the Jivaro, a tribe of indigenous people in Ecuador, following a 19th century massacre led by Capt. Wilfred Drake. Since that time, for three generations, all the Drake men have died at age 60, after which they were decapitated, and their heads shrunken by persons unknown.
The film was made as a package deal with Invisible Invaders. Both were released theatrically as a double bill on May 15, 1959, with Drake being the first shown.
While contemplating a shrunken head, professor Jonathan Drake has a vision of three floating skulls. Recoiling in fear, he instructs his daughter Alison to dispatch a telegram to his 60-year-old brother Kenneth, saying he will visit Kenneth on Thursday.
But before Jonathan can arrive, Kenneth sees a shrunken head outside his window. A tall man with long hair and lips sewn closed pokes Kenneth with a bamboo stiletto, barely breaking the skin. Kenneth dies. The man, Zutai, attempts to behead Kenneth but is interrupted.
Police Lt. Jeff Rowan is called. He meets Dr. George Bradford - Kenneth's physician - and archaeologist Dr. Emil Zurich, a friend of Kenneth's. Not knowing of the attack on Kenneth, Bradford determines the cause of death of be cardiovascular disease. Apparently, three generations of Drake men have died from cardiac problems at age 60. Jeff asks if there is a connection between the shrunken head and the death. Bradford does not think so. However, Zurich, apparently not saddened by Kenneth's demise, proudly calls the shrunken head a "particularly fine specimen."
At Kenneth's, Jonathan learns of his death and demands that his closed coffin be opened. The body inside has no head. Zutai took it to Zurich, who calls it "payment for the evils of your ancestors" and starts shrinking it. He says once he has Jonathan's head, "the curse will be finished."
At the family crypt, Jonathan tells Alison that all the Drake men are entombed there except Capt. Wilfred Drake, who in 1873 led an expedition to Ecuador. There, the Jivaro tribe killed Wlifred's "Swiss agent" and as revenge, Wilfred massacred the Jivaro. The tribal witch doctor, Zutai, cursed the male Drakes. Wilfred died at 60. So did each Drake in the crypt, where each body is headless. The crypt's locked closet contains two skulls. Neither he nor Alison know how they got there.
Zurich sends Zutai to the crypt to deposit the third skull, Kenneth's. Meanwhile, Jeff is skeptical about the curse. At the crypt, Alison and Jeff discover the third skull. Zutai attacks Jonathan, poking him, etc....

Hot Rod Gang is a 1958 drama film directed by Lew Landers and starring John Ashley. The working title was Hot Rod Rock with the film also released under the title Fury Unleashed. American International Pictures released the film as a double feature with High School Hellcats. The production includes performances by rock and roll musician Gene Vincent, and was the final theatrical feature directed by the incredibly prolific Landers, whose career dated to the mid-1930s.
John Abernathy III needs to lead a blameless life to inherit his father's estate, but he also engages in hot rod car racing.

Terror Is a Man (also known as Blood Creature, Creature from Blood Island, The Gory Creatures, Island of Terror and Gore Creature) is a 1959 black-and-white Filipino/American horror film directed by Gerardo de Leon.
It was the first in a series produced by Eddie Romero and Kane W. Lynn known as the "Blood Island" series, which also included Brides of Blood, The Mad Doctor of Blood Island and Beast of Blood. All four films took place on an island called Blood Island, named for its vivid red-hued sunsets.
The film focuses on a shipwreck survivor washed ashore on a small island where a scientist is experimenting on a panther in an effort to make it human.

Ghost of Dragstrip Hollow is a 1959 American International Pictures horror comedy film. It was a sequel to their film Hot Rod Gang. American International Pictures released the film in July 1959 as a double feature with Diary of a High School Bride.
The film spoofed the 1950s monster and drag racing films of AIP, and has been regarded as a forerunner of the 1960s Beach Party films. Spoofs like this film helped bring a close to AIP's 1950s low-budget horror film genre. This was the last monster movie that special effects technician Paul Blaisdell worked on.
After being evicted from their old clubhouse, members of a Los Angeles drag racing club move into an old deserted mansion and set up shop, making it their new headquarters. For the club's grand opening, they hold a Halloween masked ball and invite everyone to come dressed as their favorite monster.
The festivities take an unexpected turn when one of the youths discovers an imposter among them: a real live monster (AIP's oft-reused She-Creature costume, played by its real-life creator Paul Blaisdell), who has been mixing in with the kids, hogging all the dances with the best-looking girls. The phony monster is unmasked at the end of the film by one of the teenagers, revealing it to be AIP's special effects maestro Paul Blaisdell.
Blaisdell cries, looking frail and tiny in the oversized costume, and complains into the camera: "You've seen me before. I scared you to death in The Day the World Ended. You shivered when you saw me in She-Creature. Oh the shame of it, the indignity! They didn't use me in Horrors of the Black Museum after my years of faithful service. They just... threw me away!" The kids then chase him out of the house and continue partying.
Ironically, Blaisdell never worked on another film after Dragstrip Hollow, making his comedic speech in the film seem sadly prophetic in hindsight.

Abbott and Costello in Hollywood is a 1945 American black-and-white comedy film directed by S. Sylvan Simon and starring the comedy team of Abbott and Costello alongside Frances Rafferty. Made by Metro-Goldwyn-Mayer, it was produced by Martin A. Gosch.
A barber, Buzz Curtis, and a porter, Abercrombie, work for a Hollywood salon. They are sent to the office of agent Norman Royce to give him a haircut and a shoeshine. On the way there they run into former co-worker Claire Warren, who is about to star as the lead in a new musical. At the same time her co-star Gregory LeMaise, whose fame is dwindling, arrives and invites her to join him at lunch. She declines, which angers him.
While at the agent's office Buzz and Abercrombie witness LeMaise enter and declare to Royce that he cannot work with Claire. Royce, who has just seen a young singer, Jeff Parker audition, fires LeMaise and offers the job to Parker. This causes LeMaise to change his mind, and Royce does as well, giving LeMaise his job back. Buzz and Abercrombie quickly switch careers and become Parker's agents, and head to the studio's chief, Mr. Kavanaugh, to find a role for Parker.
Unfortunately, when they meet up with Kavanaugh it's because they just crashed their car into his at the Mammoth Studios gate. Kavanaugh bans them from the lot, but they manage to sneak back in with a group of extras. Once inside they find themselves at the wardrobe department and Buzz gets dressed as a cop and Abercrombie as a tramp. They use their newfound disguises to roam the lot.
Later, Buzz and Abercrombie try to help Parker get the role by getting LeMaise out of the picture by trying to start a fight with him. Their plan is to photograph him hitting Abercrombie and then having him arrested. The plan goes off without a hitch until Abercombie falls overboard after being hit and is feared drowned. LeMaise decides to hide, and Parker is given the role in his place. LeMaise eventually discovers that Abercrombie is still alive and chases him around the backlot. LeMaise eventually is caught, and Claire and Parker become famous when the film is successful. Subsequently, Buzz and Abercrombie become big-time agents in Hollywood.

Outlaw Trail. 1944 Directed by Robert Emmett Tansey.
Banking mogul "Honest John" Travers (Cy Kendall) is using methods both illegal and immoral to monopolize the economy of Johnstown, a Western outpost. When businessman Carl Beldon (George Eldredge) comes to Johnstown looking to make a deal with local ranchers rather than Travers, he suddenly goes missing. U.S. marshals Gibson (Hoot Gibson) and Steele (Bob Steele) are then called in to search for Beldon, but as they investigate they find themselves shadowed by a deadly gang employed by Travers.

Little Giant is a 1946 American comedy drama film directed by William A. Seiter and starring the comedy team of Abbott and Costello alongside Brenda Joyce and Jacqueline deWit. It was produced and distributed by Universal Pictures. The film was released in the United Kingdom with the alternative title On the Carpet.
A naïve country boy named Benny Miller, from Cucamonga, California, has been taking correspondence phonograph lessons in salesmanship. Upon completion of the course, he leaves his mother and his girlfriend Martha to pursue a career in Los Angeles. He arranges a meeting with his Uncle Clarence, a bookkeeper with the Hercules Vacuum Cleaner Company. When he arrives to ask for a job, the sales manager, Eddie Morrison, mistakes him for one of the auditioning fashion models and has him remove his clothing. Morrison's secret wife, Hazel Temple, discovers the mistake and suggests that Benny be hired to avoid an accounting scandal, as they have been "cooking the books". Benny is fired from his salesman post after only one day. Clarence transfers Benny to the company's Stockton branch, which is run by Morrison's cousin, Tom Chandler.
Benny's misfortunes continue, including a prank played on him by his new coworkers when they convince him that he can read minds. However, the prank gives Benny sufficient confidence to become "Hercules' Salesman of the Year". He is sent back to the Los Angeles branch to receive his award, and while demonstrating his 'abilities' to Morrison, he alludes to the fact that Morrison has a secret bank account. Morrison sends his wife to obtain more information from Benny to determine what he actually knows. Hazel and Benny go to her apartment, where Benny becomes ill after smoking a cigar. Hazel then gives Benny a sedative, but accidentally takes it herself while he falls asleep from the cigar's ill effects. Morrison arrives home to find the two asleep together and fears the worst.
At the awards ceremony that evening, Benny learns of the mind-reading ruse, and overhears Morrison speaking ill of him. Benny returns to his mother and his girlfriend in Cucamonga, where he also encounters Chandler, his coworker Ruby, and the Hercules company president, Mr. Van Loon. They announce that Morrison has been fired, and has been replaced by Chandler. Benny is now sales manager of the Cucamonga district.

Things Happen at Night is a 1947 British supernatural ghost comedy film directed by Francis Searle and starring Gordon Harker, Alfred Drayton, Robertson Hare and Garry Marsh. The film is based upon a stage play, The Poltergeist, by Frank Harvey. It was shot at Twickenham Studios. Despite the film's comparatively large budget it ended up being released as a second feature.
The film is set in an English country house which is haunted by a poltergeist. Besides damaging the house's contents, the poltergeist possesses a schoolgirl and causes her expulsion from school. The homeowners receive help from a ghost breaker.
An English country house is plagued by a poltergeist who destroys things in the home, rearranges pictures on the wall, and possesses the daughter of the owner causing her to be expelled from school. A psychic ghost breaker and an insurance agent help the homeowners battle and expel the spirit.

Here Come The Co-Eds is a 1945 American comedy film starring the comedy team Abbott and Costello.
Oliver Quackenbush, Molly McCarthy and her brother Slats who acts as her publicity agent work for the Miramar Ballroom as taxi dancers. Slats plants a phony article in the local newspaper that declares Molly's ambition is to attend Bixby College. The dean of Bixby reads the article and offers her a scholarship. She agrees, but only if Oliver and Slats can accompany her. They are hired as caretakers.
Meanwhile, Chairman Kirkland, whose daughter Diane also attends Bixby, holds the mortgage on the college and threatens to foreclose if the dean continues to ignore tradition and does not expel Molly. Slats and Oliver run into some problems of their own as they fail at every task assigned to them by their supervisor, Mr. Johnson.
Slats devises a plan to raise $20,000 to save the school: Oliver will wrestle the Masked Marvel. However, just before the match the Masked Marvel becomes ill and is replaced by Mr. Johnson. Oliver still manages to win the match, and Slats takes the $1,000 winnings and bets it on Bixby in a basketball game at 20-to-1 odds. Unfortunately the bookie attempts to ensure the outcome by hiring a professional team to play in place of Bixby's opponent, Carleton. Oliver dresses in drag and joins the Bixby team. Halfway through the game he receives a bump on the head and is convinced he is Daisy Dimple, "the world's greatest woman basketball player." Bixby pulls into the lead, but Oliver suffers another bump on the head and returns to his usual persona, and ends up losing the game for Bixby. To make up for it, he steals the bookie's money and after a crosstown chase (in a sailboat on a trailer), the boys arrive in time to pay the mortgage and save the school.

Strangler of the Swamp is a 1946 American horror film, produced and distributed by Producers Releasing Corporation. It was written and directed by Frank Wisbar, and stars Rosemary LaPlanche, Robert Barrat and Blake Edwards. It is a remake of Wisbar's earlier German film Fährmann Maria (1936).
A ferry operator named Douglas (Charles Middleton) was accused of a murder he did not commit and executed for the crime. Now Douglas' ghost walks the marshlands he once called home, seeking vengeance against those who wronged him. The village's new ferry operator, the beautiful Maria (Rosemary LaPlanche) must find a way to save her boyfriend Christian (Blake Edwards) from becoming the ghost's next victim.

The Stranglers of Bombay is a 1959 British adventure horror film directed by Terence Fisher for Hammer Films dealing with the British East India Company's investigation of the cult of Thuggee stranglers in the 1830s. The film stars Guy Rolfe, Allan Cuthbertson and Andrew Cruickshank.
Captain Harry Lewis of the British East India Company is investigating why over 2,000 natives are missing, but encounters a deaf ear from his superior, Colonel Henderson, who is more concerned with the local merchants' caravans which are disappearing without a trace. To appease them, Henderson agrees to appoint a man to investigate, and Lewis believes it will be him. However, he is sorely disappointed when Henderson gives the job to the newly arrived, oblivious Captain Connaught-Smith, the son of an old friend of Henderson's.
Lewis believes an organized gang is murdering both the men and animals of the caravans and then burying the bodies, and suspects that the culprits have secret informants among the merchants of the city. He presents Connaught-Smith with his evidence and his theories, but is dismissed. He is also later caught by the Thugees and sentenced to die by the bite of a cobra, but is rescued by a pet mongoose, forcing the cult's high priest to release him. However, Connaught-Smith remains antagonistic and derisive towards Lewis, who eventually resigns his commission in frustration to investigate on his own.
Ram Das, Lewis' houseboy, believes he has seen his brother, Gopali, who disappeared some years ago, and receives permission to search for him. Lewis later learns that Ram Das had been killed by the Thugs when his severed hand is tossed through the window of his bungalow; when searching for Gopali, the Thugs captured Ram Das and then compelled Gopali Das, a new initiate of the cult, to kill his brother. Meanwhile, the merchants decide to band together and create a super-caravan whose size, as they believe, will discourage the bandits. The hidebound Captain Connaught-Smith leads the caravan and foolishly allows the stranglers (in the guise of travellers) to join them. That night, the Thugs strike with their usual success, and all caravan members, Connaught-Smith included, end up slain and buried.
Lewis and Lt. Silver, a cult member, investigate the caravan's disappearance. Lewis sees the scar that marks Silver as a Thuggee follower of Kali and shoots him in self-defence. Lewis then discovers the buried bodies and returns to the cult's secret temple, where he is caught and set to die on a burning pyre. Gopali Das, however, now haunted by his brother's death at his own hands, frees Lewis, who casts the high priest onto the pyre instead, and the two men escape in the ensuing tumult. Lewis and Gopali race to meet Henderson, who is dining with Patel Shari, the merchants' local representative and secretly a member and informer of the Thugee cult. Gopali identifies Patel's chief servant as a Thug; Patel kills his follower to hold his tongue, but exposes him